For my PhD
thesis I am examining the archaeological and historical evidence for the parks,
gardens and designed landscapes of North Wales and North West Shropshire, which
were created and used during the medieval period. I am also attempting to find
evidence for the variety of people who created, administered and trespassed in
these spaces.
There are a
variety of written sources available for the period, including court rolls,
chronicles and charters. In the main, these have already been examined (Barrell
et al undated, Cavell 2007, Jack 1968, Jack 1969, Korngiebel 2007) and a
theoretical picture of life has been established through these documents. These
were largely created and curated by the English Government, who ruled
fourteenth century post-conquest Wales through a network of Lordships and
Shires.
These
sources however, tell only one side of the story, and there are other sources
available to colour the life of the Welsh inhabitants of this world. After the
Edwardian Conquest of Wales in 1283, the Princes of Gwynedd and Powys had been
replaced at the very top of Welsh society by the Uchelwyr (literally 'High-Born Men'). These men, and their descents,
came to dominate native Welsh life until the seventeenth century.
The first
generations of the Uchelwyr left a legacy
of their largesse and, using the poetry
and monumental grave slabs that they commissioned, it is possible to gain some
idea of them and their perceptions of themselves in celebration of life and in
commemoration of death.
A new genre
of poetry flourished in the fourteenth century in Wales. With the loss of Princely
patrons and a secure place as part of their retinue, the poet became a
peripatetic figure, travelling from individual Uchelwr to individual Uchelwr.
The result is a newer, fresher approach to writing and the emergence of new
themes within the poetry (Johnston 2005).
Perhaps the
finest exponent of this poetry was Dafydd ap Gwilym (c.1315/1320 - c.1350/1370),
recognised as one of the finest writers in Europe in the fourteenth century.
His poetry has been edited and placed online in 2007 (http://www.dafyddapgwilym.net
).
One of the
poems is entitled Serch fel Ysgyfarnog
'Love like a Hare'. Within the poem the pursuit of a hare during the hunt is
compared to the pursuit of a woman in the tradition of courtly love. This poem,
or at least the dual symbolism within it, appears to have been articulated with
a series of grave slabs dating to the same period.
Five grave
slabs, dated stylistically to the fourteenth century have survived with images
of the hunt on them. The slabs are in St. Asaph Cathedral (Flintshire);
Llanyblodwel church (Shropshire); Valley Crusis Abbey and the churches of
Llanbedr Dyffryn Clwyd and Ysbyty Ifan (Denbighshire). They cover a wide
geographical area, ranging from Ysbyty Ifan on the fringes of Snowdonia in the west
to Llanyblodwel and the lowlands of England in the east.
The Grave Slab from St. Asaph Cathedral, depicting a hound pursing a hare |
Until I
began my research, there had not been any study of the place of these grave
slabs in their wider landscape context. One issue is the relocation of these
grave slabs. The example from Llanfair Dyffryn Clwyd is now to be found,
weathered and damaged in the porch of the new church, constructed in the
nineteenth century to replace its medieval predecessor.
This medieval church was 1km to the north west, and it is the siting of this church
and the monument within it which is significant. Situated on the south side of Dyffryn
Clwyd (the Vale of Clwyd), this land had formerly been in the possession of
Welsh Prince Dafydd ap Gruffudd, a man known, from letters petitioning King
Edward I, to have had a love of the hunt (Pryce with Insley 2005: 646-647).
Dafydd lost these lands when he rebelled against the King in 1282, and was
captured and killed the following year.
The
fourteenth century saw an expansion of the parkland in Dyffryn Clwyd and the
neighbouring lordship of Denbighshire, with Welsh tenants removed from their
former lands by new English Lords to allow for these events (Berry 1994). It
would appear that the Uchelwr buried
in Llanfair Dyffryn Clwyd - his name does not survive on the slab - chose to be
buried overlooking a hunting ground which had been used by his Welsh
forbearers, as well as by himself under a new imposed Lord and Lordship.
Further
research will identify the relationship between the other Uchelwyr buried under the grave slabs and their own particular
landscape context. In conjunction with the other evidence recovered
archaeologically and which is illustrated within some of poetry, it will enable
an understanding of how these men lived in a world transformed in their
lifetime.
Contributed by: Spencer Gavin Smith
_________________________
Bibliography:
Barrell, A.
D. M., Brown, M. H. and Padel, O. J. (undated) Dyffryn Clwyd Court Roll
Database, 1294 – 1422, UK Data Archive, Economic and Social Research Council
Berry, A. Q. (1994) The Parks and Forests
of the Lordship of Dyffryn Clwyd, Denbighshire
Historical Society Transactions, 43,
7-25
Cavell, E. (2007)
Aristocratic Widows and the Medieval Welsh Frontier: The Shropshire Evidence, Transactions of the Royal Historical Society
17, 57-82
Dafydd ap
Gwilym (2007) [online] available from: http://www.dafyddapgwilym.net
Jack, R. I.
(1968) Records of Denbighshire Lordships, II, the lordship of Dyffryn Clwyd in
1324, Denbighshire Historical Society
Transactions 17, 13-18
Jack, R. I.
(1969) Welsh and English in the medieval lordship of Ruthin, Denbighshire Historical Society Transactions
18, 23-49
Johnston,
D. (2005) Llen Yr Uchelwyr: Hanes
Beirniadol Llenyddiaeth Gymraeg 1300-1525, University of Wales Press,
Cardiff
Korngiebel,
D. M. (2007) English Colonial Ethnic Discrimination in the Lordship of Dyffryn
Clwyd: Segregation and Integration, 1282-c.1340, The Welsh History Review 23,
1-24
Pryce, H.
with Insley, C. (2005) The Acts of Welsh
Rulers, University of Wales Press, Cardiff
Fascinating! Thank you for this Spencer!
ReplyDeleteI'd be interested to know how the parks and gardens contributed to a sense of status and identity, or how they worked as a projected visual expression of power.
Good look with your crowdfunding!
Sounds interesting...
ReplyDeletewow! that is very nice design for grave slab. I think granite grave slabs looks so amazing in such a design. Very nice post
ReplyDelete